![]() #Katya santos playing keka movieIt’s also a miracle that a movie outfit such as Viva Films (which is also responsible for a slew of the aforementioned bold movies) willingly produced and financed this kind of film which, more often than not, do not perform well financially. ![]() It’s a blasphemy that a film like Keka would succumb to other box office heavyweights who offer nothing but star quality and a massive promotional campaign (which Keka sorely needed). Looking at the film from these perspectives is a disservice to its ingenuity and novelty. Or are we Filipinos that dumb to not appreciate this kind of film? I’m leaning towards the former because I still have high hopes for the Filipino audience. This may be the reason why the film flopped commercially because people expect this to be just another run-on-the-mill sex film. Others would see this as another bold film because its lead star is Katya Santos who forged an invisible alliance with other voluptuous, scantily-clad women such as Maui Taylor, Maricar de Mesa and Aubrey Miles to resurrect the R-rated bold films that populated the 90s film landscape. There are slitting of throats, stabbing of knives to a victim’s chest, strangulation and gunshots. This is described as a revenge flick for the death of a girl’s special someone. ![]() If one would set his expectations based on the posted synopsis on various websites attempting to offer a gist for Quark Henares’s Keka, such person would be sorely disappointed after watching this film. ![]()
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![]() ![]() We are collaborators with great relationships, they know what they’re going to get with us, and they do see us as the home of Australian drama.”Ĭommissioning decisions come down to story and, says Riley, audiences want to feel hope right now. Despite not having the deep pockets of the streamers, Riley says the local industry comes to ABC “because they like working with us. Riley says the quality of ABC’s work is shown by its ability to lure stars such as Cate Blanchett ( Stateless), Katherine Langford ( Savage River) and Thomas Jane ( Troppo). ![]() ![]() #Abc iview superwog tvCleverman, meanwhile, has been picked up by Sundance TV and the BBC, and Wakefield by Showtime for the US. Stateless and Glitch both sold to Netflix, while The Newsreader has been licensed to more than 80 territories, including the BBC for the UK and Arte for France and Germany. #Abc iview superwog seriesTop-selling ABC titles by value of sales in the past five years include immigration drama Stateless, The Newsreader, sci-fi taleĬleverman, paranormal series Glitch and psychological mystery Wakefield, according to Screen Australia. “It is important for Australians to watch but I want the world to see our shows, as many people as possible.” Worldwide production delays caused by the pandemic have dampened the appetite of distributors to pick up dramas, notes Riley, who adds that she cares very much how widely shows are seen abroad. Commissioning platforms like ABC must pay at least $321,000 (a$440,000) per hour for dramas that have Screen Australia as an investor. The rest comes from other government sources - Screen Australia and tax rebates - and distribution advances, “which are generally diminishing”. In a government review of television regulation in Australia, ABC’s own submission outlined that it contributes “roughly half of the budget of each programme it commissions”. “It’s an ongoing challenge but we’re up for it,” she says. Just take the cast costs on some shows and that rules us out immediately.” Riley tried unsuccessfully to secure new Australian vampire series Firebite, produced by See-Saw Films for AMC+, and she admits it is harder for ABC now that the streamers have upped the ante for projects, talent, crew and even government funding. We have the talent and the creatives but unless we have a partner willing to take risks, it’s tricky because of budget. Asked if Australian drama can compete on the global stage, she pauses. Riley is known in the industry as a straight-shooter. Most popular dramas score 1.5 million-plus viewers on their first run across the channel and the ABC iview streaming platform (Australia’s population is about 26 million). Locally, The Newsreader and crime dramas Mystery Road and Jack Irish are the highest rated ABC dramas of the last two years. Riley herself is being presented with the inaugural commissioner of the year award at Screen Producers Australia’s annual conference in late March. At Australia’s 2021 AACTA Awards, The Newsreader, set in the cutthroat world of TV news, won the series category and Fires, about Australia’s devastating bushfires, won the miniseries/telefeature category both aired on ABC. Riley, who has been head of drama, comedy, entertainment and Indigenous at ABC since 2016, commissions six or seven dramas per year for the broadcast channel depending on the number of episodes. Australia’s entire slate ranges in budget from less than $36,500 (a$50,000) to more than $22m (a$30m) per project, according to Screen Australia. Source: Wolter Peeters / Sydney Morning HeraldĪBC contributed $31.4m (a$43m) towards production of 17 children’s, adult and online shows, 80% of the three commercial FTAs’ $39.4m (a$54m). ![]() ![]() ![]() Warning: Black MIDI songs have flashing images that can cause epileptic and loud sounds. The corresponding Korean name for "black score" being 검은악보 (geom eun agbo). The Chinese name for "black score" is 黑乐谱 in Simplified Chinese and 黑樂譜 in Traditional Chinese the pinyin form of them is "Hēi Yuè Pǔ," and is derived from the Japanese term for it. ![]() A black MIDI on the other hand, is a blackened musical score in the form of a MIDI file. A blackened musical notation is a notation that is filled up and dyed up "black" by notes, usually very minute ones. Ī "black MIDI" and a "blackened musical notation" are not quite the same thing. The word 'black' in 'Black MIDI' refers to the notation's appearance of a certain blackened song, which one can obviously tell why it is a "black" MIDI. Most blackened songs are remixes from existing songs, although there are a few original compositions floating around the Internet. A completed black MIDI will look like a recklessly colored and scribbled drawing on ruled paper. It is usually done by filling up the sheet with many thousands or millions of abnormally short notes-from 32nd notes and smaller. You can join the Official Black MIDI Community Discord server using the widget on the right.Ī blackened musical notation, also called a Black MIDI, black score and black sheet (Japanese: 黒楽譜, くろがくふ, Kuro Gakufu, literally "black sheet music") eponymously is a transcription of music that uses Musical Instrumental Digital Interface files, or MIDI files, to compose an incredibly and impossibly large number of notes. Use the navigation menu on the top to find what you are looking for. Here you will find info about the genre, what it is about, its history and much more. Welcome to the official wiki of Black MIDI. ![]() ![]() ![]() Watch timecop tv series movie#Norma Jean and Marilyn Monroe movie trailer Ashley Judd – Norma Jean & Marilyn (1996) Perfectly capturing a portrait of a screen sex siren in excess-an image that Mansfield calculatedly cultivated but, sadly, was never able to transcend herself-the actress earned a special spot in the annals of those who played Monroe.ĥ. And in the end, she’s just a good-hearted vulnerable woman looking for real love. Indeed, everything about Mansfield’s Rita Marlowe is more Marilyn than Marilyn: a shrewder career player, a more irresistible, aggressive maneater, more layered with vapid Hollywood artifice, twice as platinum blonde and with even more staggering curves. But she’s certainly delivering a winking satire of her fellow bombshell’s public image, down to those sexually charged squeals, exactly at the moment that Marilyn dominated the real-world zeitgeist. Hear us out: no, Mansfield isn’t playing a formal take on Monroe, whose popularity paved the way for Mansfield’s own success in Hollywood. Will Success Spoil Rock Hunter? (1957) ORIGINAL TRAILER Owing primarily to her well-cultivated physical resemblance to the icon, Griffiths is mostly passable in this weakly written, cheaply produced telepic, but fares slightly better in another more extended stint as Marilyn: a 1993 episode of Quantum Leap, “Goodbye, Norma Jean” as Sam Beckett (Scott Bakula) tried to unravel the mystery of Monroe’s final days. Griffiths got her chance to most deeply immerse herself in the role in an otherwise by-the-numbers TV-movie inspired by Marilyn superfan Robert Slatzer’s unsupported, unconvincing malarky in which he claimed to have been romantically involved-even briefly married!-to Monroe, and, of course, supposedly helped steer the early career movies that launched her superstardom. Watch timecop tv series professional#Griffiths’ take on the ultimate screen goddess certainly stuck a chord with Hollywood: a professional Monroe lookalike, she’s been cast as the actress (or a version thereof) multiple times, including in the TV series Growing Pains, Dark Skies, Cybil, Timecop, The Strip, Curb Your Enthusiasm and Nip/Tuck, and, perhaps most memorably, as the Marilyn-themed waitress at Jackrabbit Slim’s in Pulp Fiction. MARILYN AND ME (1991) | Official Trailer | 4K ![]() As a non-Broadway belter, Thurman-as a Hollywood star drafted into the role to boost the production’s profile-delivered a soft and sensual shrewdness to Marilyn’s evolution into Method actor through “Dig Deep.” Better suited to the ladder-climbing Norma Jean aspect with her brassy vocals, McPhee captured the ambition, hope and ego in numbers like “Let Me Be Your Star.” But it was the versatilely voiced stage sensation Hilty who delivered the most fully rounded, knowing takes on Marilyn, channeling her savvy sense of own allure in “National Pastime,” the increasingly mechanical, soul-stifling nature of selling her sex appeal in “Let’s Be Bad” and the show-stopping and encapsulating her dream of cultural immortality in the show-stopping “Don’t Forget Me.”ĩ. While none of the three actresses playing the performers cast in Smash’s Marilyn-inspired Broadway-show-within-the-show “Bombshell” were given the opportunity to truly deep-dive into Monroe’s persona, each found distinctive ways into the icon via Marc Shaiman and Scott Whitman’s songs. Misty Rowe – Goodbye, Norma Jean (1976)ĭig Deep (Uma Thurman) | SMASH (TV Series) | TUNE Club takes a deep-dive look at 20 prominent screen Marilyns, everything from the godawful to the goofy to the glorious.ġ8. What to watch on Apple TV Plus: 14 best shows streaming right nowįrom sketches lampooning the legend to searing cinematic explorations, The A.V. In the new Netflix film Blonde, Ana de Armas emerges as the latest performer to inhabit both the enduring idol’s astonishing outward glamour, palpable erotic allure and fierce inner demons on screen, one of a long line of women-some established, high-profile Hollywood stars burnishing their reputations, others up-and-comers seeking to make their name tackling such a towering figure-who’ve taken their turn in Monroe’s billowing white silk dress.Ī definitive but possibly questionable ranking of festival films, according to standing ovationsĢ0 Best Picture contenders for the 2023 OscarsĢ6 best TV shows streaming on Prime Video A pop culture centerpiece since the 1950s, Monroe has gone from one of the most iconic and fascinating movie stars of all time to one of the most sought-after characters an actress could ever hope to play. Hollywood continues to prefer one blonde among them all: Marilyn Monroe. (from left) Ana de Armas in Blonde Blake Lively in Gossip Girl Mira Sorvino in Norma Jean & Marilyn Michelle Williams in My Week With Marilyn. ![]() |
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